Posts Tagged ‘Dreamworks’

Top 10 of 2010!

January 5, 2011

 

And here we are again!  Another year down and another slew of movies to comprehend and compare.  Unlike the last few years, 2010 brought a cavalcade of competent cinema that was absolutely unprecedented.  I was fully unprepared for the likes of the last few months and the intense entries into the Oscar season that began to give way as the year came to a close.  Now, as always, I’m certain that this list will be viewed as juvenile and haphazard (story of my life) but these are MY top 10 movies of the year.  I wish I could watch all of these entries over again to more properly gauge my level of enthusiasm and their prowess, however, I will stand by every one of these entries and will fight you to the death for any of them!  (Though I will admit, I give major kudos to originality and ingenuity in form over traditional cinematic bravado)  Let the ranking begin!

10.  127 Hours


Danny Boyle does so much with so very little.  In this masterful retelling of the infamous expedition-gone-wrong of Aron Ralston, Boyle makes the story of a man trapped in the desert for five days into a life-affirming, absurdly inspirational tale.  Boyle deserves immense credit for taking  a cinematically antithetical story and turning it into one of the most captivating of the year.

9.  Never Let Me Go


Mark Romanek made a big splash on the screen this year with this film, which delves into themes of humanity, fate, and despondency at the hands of one’s own demise.  All against the backdrop of a beautifully filmed, beautifully performed script.  Never Let Me Go reaffirmed Andrew Garfield’s, Carey Mulligan’s, and Keira Knightley’s prowess all in one fail swoop.

8.  True Grit


Being the second Coen brothers movie I have ever ACTUALLY enjoyed, True Grit put multiple stereotypes of mine to rest.  I was concerned about ANOTHER overly hyped Coen flick, I was concerned about another update of a classic western, and I was concerned about a story with a cliche, precocious, young female protagonist who comes across as seemingly unflappable.  But when you realize that the Coen’s entire body of work details the lives of larger-than-life characters that are seemingly unflappable, you begin to forgive this mini masterpiece for its very few flaws.

7.  The Kids Are All Right


Easily one of the best pieces of acting this year, the raw talent in this film makes me question how more fuss wasn’t made over it.  Annette Bening and Julianne Moore are irreplaceable in this comedy about the inner-workings of family and the importance of love, understanding, and functionality in the face of adversity, stress, and life’s constant ambiguity.  Did I mention that the performances are incredible?

 

6.  The Social Network


One of my more traditional choice for the year, Fincher’s techno-epic about Facebook founder Mark Zuckerberg is truly as efficient as the hype made it out to be.  With a spot-on score produced by Trent Reznor, and cinematography that would make lawn-mowing a fascinating, IMAX-worthy venture, the film is almost incapable of NOT delighting audiences.

5.  I Love You Phillip Morris

Ironically, this may be the most contested movie on this list, as it does have its fair share of tonal anomalies and inconsistencies, however, Phillip Morris simply cannot be overlooked as one of the most adventurous and insightful picks of the year.  It takes risks and utilizes techniques just as well as 127 Hours and The Social Network, both.  It merely uses them in different regards and for different outcomes.  Not to mention that the performances are absolutely fabulous.

4.  Kick-Ass

Again, this film can be RIDICULOUSLY tonally inconsistent at times.  It can even leave viewers borderline disenchanted and at a loss.  But for fans of the genre, and just movie geeks in general, Kick-Ass lives to deliver both a send-up of the entire superhero canon, as well as overtly-indulgent entry in and of itself.

3.  Toy Story 3

If you would have told me that a three-quel to one of the biggest Disney franchises of all time would make my top 3 of ANY year, I would be forced to furrow my brow at you in extreme doubt, but Toy Story 3 is one of the most adroit offerings that Pixar has put out since…well, I guess since Up.  Still, it speaks incredibly highly of a studio that is capable of making sequels to films without losing any of the magic and without giving in to any sense of pandering or desperation.  Pixar should literally be a class that all film executives at EVERY studio should have to take.

2.  The Fighter

Going into this movie with little to no expectations of what I was about to see gave way to easily one of the most enjoyable movie-going experiences of this year.  David O. Russell truly knows how to make an incredible film, both critically and for mainstream audiences.  Visually arresting, with performances that are EASILY Oscar-worthy (I’m looking at you, Christian Bale and Amy Adams) this entry came out of nowhere and proved to be my second favorite of the year AS WELL AS my technical #2.  The film simply cannot be denied as a masterpiece on multiple fronts.

1. Scott Pilgrim Vs. the World

If you ever wanted to confirm my absolute geekiness, look no further than this #1 pick.  Is it a stereotypical selection?  Sure.  Is it a smidge over-praised by moi?  Perhaps.  But I simply don’t care.  Scott Pilgrim Vs. the World was easily my favorite movie of the year and easily one of my top 10 favorite films of all time, as well, perhaps even top 5 (I told you I was willing to acquiesce that I may be a bit blind to this movie).  Everything about this movie takes the extravagances of previous cinematic treasures and expounds upon them.  I challenge you to find a faster-paced, funnier, better-choreographed film that speaks so directly to an entire culture and properly adapts six graphic novels into a story under two hours long.  Did that sentence just blow your mind?  Well that’s how you feel for the entirety of the movie, even after the tenth viewing.  I know from experience.

P.S. And to be fair, here is a list of the most-talked-abouts that I have yet to see:

_The King’s Speech

_Shutter Island

_Waiting for Superman

_The Town

_Fair Game

_Mother

_Tangled

_Despicable Me

_Catfish

_Blue Valentine

_Animal Kingdom

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Welcome to Gimmicktown!

September 20, 2009

dreamworks_animation_logo

Being the old, crotchety miser that I am, I try to stay open-minded to new endeavors in cinema, but the truth is, I’m always reluctant to accept a new, sensationalist change on a classic tradition that I hold near and dear. Reason being, is that most of these changes I’m referring to come about in an effort to increase revenue, not to increase creativity or production. My topic of concern is that movies are being more and more redily made into 3-D. Dreamworks, the perpetrator in this situation, started the machine tentatively, producing only a handful of 3-D movies in the last two years. However, the movies that they did release in 3-D went above and beyond their monetary expectations. While the argument still stands that this could be the wave of the future for film and that any revenue is good revenue in an economy where most people have LITERALLY no income, it’s still very hard to look anyone in the eye and tell them that 3-D IS more than just a money-making gimmick. Harder still to tell them that Hollywood will use 3-D to further storytelling and enhance the medium rather than to cheapen good narratives for the next few years and then suddenly drop once its profitability wavers. DON’T TAKE MY WORD FOR IT, THOUGH! Just take a gander at actual quotes from Jeffrey Katzenberg which I found on /Film:

The consumer has shown now time and time again not just a willingness but an aggressive ambition to trade up for a premium experience. There’s been zero price resistance, in the worst economy in our lifetime. And as the economy changes and improves, that’s only going to continue to grow….The research we’ve done everywhere in the world said the consumer said they got a valuable experience at a $5 premium. And nobody has done a $5 premium.

BUT WAIT, THERE’S MORE!!!

In a business where margins are sinking like a stone in water, suddenly something comes along that for a small incremental investment you create huge incremental income possibilities for you. Why every studio isn’t out making three, four, five 3D movies is inexplicable.

Now, before you get your pitchforks and torches out let me reiterate a VERY valid point that /Film makes. Katzenberg is an executive. His sole purpose in life is to drive sales and fill the company’s wallet. That’s what he’s paid to do. In /Film’s Russ Fischer’s own words, “Granted, Katzenberg is an exec. It’s his job to make money, and his job to drum up support for plans that will put coin in his coffers. So a statement like this isn’t too surprising.” But my earlier point only stands strengthened. I hardly believe that anyone in the upper echelons of Dreamworks have any intentions other than fiscal ones when they add 3-D to their films. This gold-plated gimmick is far from being used for the right reasons, and until we can even fully undertand what the “right” reasons for using 3-D storytelling are, we shouldn’t do it. I SAID, “GOOD DAY,” SIR!